Showing posts with label movies. Show all posts
Showing posts with label movies. Show all posts

Friday, January 1, 2016

Welcome 2016


     Things I'm excited about in 2016
1. Disney is releasing a Pete's Dragon movie
2. The U.S. presidential election
3. Hoverboards
4. Ultra HD broadcasts (4k)
5. The Superbowl and the 2016 Redskins
6. iPhone 7
7. The Olympics
8. Virtual Reality
9. Smart Cars
10. and Leap Day February 29th 

    People are becoming resolute today. Enrollment is up at the gym, and Phillip Morris is once again bracing for low numbers in January. I'm sure you've seen a multitude of "Year in Review" episodes, and you'll probably see many more, because you've already forgotten so much and want to see if others remember what you did. We can expect some things to happen, and yet there is also much anticipation for things we can't expect. 
     Last year gave us a boatload of record breaking cinema, bizarre entertainment news, and the beginning of an exciting presidential race. However, 2015 was also over-shadowed by horrific violence at the hands of dastardly people and organizations. As a world we were knocked down more times in one year than I can remember. I don't know if the actual statistics are up, or if I'm just noticing them more because I have a growing family to worry about.
    Despite the awesomeness, the sour notes, the useless cultural epithets and the things that made us laugh, 2015 is now history. Some things were recorded with graphic detail, others are a pixelated recollection. Events of the world and the days of our lives might become a vague memory while most things will be forgotten, yet I'm oddly hopeful.
     I hope this past year teaches our leaders and helps them grow wiser to the plans of evil doers, so we can thwart more villains and bring more peace. I hope generosity and gratitude increases, so the less fortunate become more hopeful and the more fortunate become more socially aware of injustice. I hope the weather systems balance and seasons change appropriately, so farmers can be confident in their crops and I don't have to pay so much for food. For my sake, I hope nostalgia in the arts continues, so I can continue to share my childhood with my own children. But for my children's sake, I hope that there is an increase in fresh, cool ideas and stories to build their own memories and experiences with. 
      I wish everyone out there strength to deal with the downs of the new year and humility to deal with the ups. 
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Wednesday, August 6, 2014

A Polar Bear Reviews Guardians of the Galaxy

The film is based on an obscure Marvel comic book about 5 random beings thrown together as a result of various circumstances. They are the epitome of unlikely hero's. As a matter of fact, it could have been the subtitle of this movie. The characters were shockingly deep and full of life and each one of these unlikely hero's stole my heart.  

Considering all the buzz I've heard over the internet and social media, I bought my tickets on-line and got to the theater 10 minutes early. However, the theater wasn't as packed as I thought it was going to be.  Where was everyone? A few more people slowly trickled in, but the theater was less then half full. I couldn't believe it. It seemed like everyone was talking about this film. Then I realized, not everyone was talking about this film. Only the geeks were talking about this film. They were talking so loudly that I hardly noticed the rest of society was completely silent on the matter and had passed it off as another potential flop.

I'll be honest, there are too many geeks out there, so it won't be a flop, but it doesn't have enough familiarity to entice the everyday house wife or the Sports Center watching businessman. However, I have to give it to the director, because he made it as palpable as possible for the non-geek. An adorable and yet strikingly handsome human played by Chris Pratt from Parks and Recreation and his nostalgic Walkman are both culture life-preservers in this Alien world on the other side of our galaxy.

As movies go it was out-of-this-world, and geeks around the world would applaud it as a good adaptation of the comic. If the mainstream public can set aside reality for the first 10 minutes of the film and not try to compare it to something that they know or recognize, then they will appreciate and come to love it by the second act. The plot was thick with action, humor, and drama. Subtleties like background action and irony make it a pleasure to watch. Character dynamics makes it interesting to follow, and directorial genius, make it one of those movies that you will want to watch again and again.


Friday, June 14, 2013

The Dichotomy of a Superhero


Hello readers. I present some questions for you. Who is the greater thespian, Clark Kent or Superman? Does Clark Kent, in those smashing horned-rims, put on a greater show as Superman, than the multi-talented, acrobatic Superman puts on as Clark Kent? More to the point, is Clark Kent disguised as Superman. Or is Superman disguised as Clark Kent?


Is it hard to be Clark Kent when Superman lurks just under his dress shirt and tie? When he's Superman, does the feeling of saving the world and being a demi-god balance out the feeling of being an outsider? Is it safe to be Superman in a world where judgmentalism and social systems rule, and those who stand out are at the mercy of the papparazzi? Consider these things and one might be able to see why he would choose to give up his superhero identity.

Clark Kent, clumsy, geeky, unsure, and full of promise as one of Metropolis's greatest reporters fools everyone. No one even assumes what he's truly capable of.  His co-workers, the ones he sees everyday, can't seem to figure it out. He must be good at being Clark Kent, because it comes so natural. As Clark Kent he's connected to the microcosm of the planet. He's part of the world, part of society, another voter in the democracy. He belongs as Clark Kent.
   
I'm not an alien from another planet with temptations of being a deity, but I do know this: as Superman he seems to be himself, at one with physics and the rest of the universe, excluding one thing... humanity.

Yes, as Superman he's a superstar with fame and fortune. He could rule the world if he wanted. He's moral, and he risks his life to save others, which doesn't go unrecognized. He's heralded as the greatest superhero of all time. A just superhero. A passionate superhero. A freedom-defending superhero. But a lonely superhero. The moments when he feels most like himself, doing the things he does best, are the moments he feels the most isolated. He knows if they really knew him they would poke with camera's and prod with scientists. These people can never know his true identity.

His true identity? Is it Clark Kent, as he's known by his Social Security Number? or Superman as he's known by the world? Does he even have a true identity? Are Clark Kent and Superman two halves that make up a whole? Clark Kent, an alien, adopted by a family who couldn't have children of their own. Superman, an alien, adopted by a world hungry for something to believe in.
 
I think the answers to these question and the reason he can keep a level head on his shoulders lie in a third identity, Kal-el. Once, a long time ago, before he came to earth he was considered "normal" on a planet called Krypton. Just like every other baby boy. He had no super powers. He wasn't special. He fit in perfectly, before even realizing he had a need to fit in. His true identity as Kal-el is not known by the world around him, but it is the glue that holds Clark and Superman together. Without Kal-el the dichotomy between Superman and Clark Kent would splinter off into oblivion and darkness would overtake his soul as well as the rest of the world.

Although Krypton is no more in the physical universe, it exists within the heart of the last Kryptonian, Kal-el son of Jor-el.

Many people think that Superman is a story that is impossible to relate to, but I perceive there is something in the story of Superman that we can all relate to. Think about this. Have you ever felt the need to fit in? How about the need to be yourself? Is your desire to "belong" stronger than your need to be yourself? Can you have both? If you had to choose, which would make you happier?

Superman is loved not because he is so much like God, but because as a kind of God, he is so much like us.

Wednesday, July 18, 2012

Here We Are Now, Entertain Us (Part 2)


(In light of the tragedy that took place in Aurora, CO, this blog entry might not sit well with you. Although this blog tries to help us understand tragedy in the literary sense, it doesn't offer any consolation to tragedy in real life. It is unfortunate that we live in a world where tragedy is real, and I offer my sincere condolences to the citizens of Aurora, CO and all those dealing with the consequences of a crazed mad man.)

Hunger Games struck a cord with mainstream America in a way that was like plucking a hair out of a nostril. This was a painful story about an alternate world where kids killed other kids for the entertainment of others, and yet it was one of the highest grossing movies of 2012. Are we just sick, homicidal child-haters with a pension for cage fighting? Is the unstoppable force, that is America, slipping down that proverbial, never-ending Slip 'n Slide into nothingness? I don't believe so. For centuries humanoids have been entertained by a literary device called "catharsis".  Some appreciate it others don't, and still others would just as soon strip it naked and drop it off in front of a sketchy bus station.

"Catharsis" originates from the Greek word for "cleansing" and is defined on dictionary.com as "the purging of emotions or relieving of emotional tensions, especially through certain kinds of art as  tragedy or music." Basically, an enema for the soul. One can't have a good tragedy without the element of catharsis so let's explore. Classic Tragedies include Romeo and Juliet, Oedipus Rex, and La Boheme, to name a few. They loved their soul enemas back then, so much so that Leonardo Da Vinci had to fill the world with inventions and paintings of constipated people.

Modern tragedies are harder to come by and are more commonly referred to as horror movies, but once in a while a mainstream movie will embody the definition of a tragedy like, Into the Wild, The People vs. Larry Flint, or The Butterfly Effect. To get into a story and build up a fortress of emotion only to have your weakness exploited by a director who brings you into an unshakable state of depression for a few hours or even days, is one of the marvels of true artistic genius. A good cathartic moment can go a long way, like that moment when you realize the mountain oysters you've been eating were goat testicles.

Ultimately, the purpose of a tragedy is to bring healing to the audience. Even psychoanalysts praise catharsis as progress in emotional healing. Emotions are strong and can often lead to horrible decisions, like vengeful flatulation at work, sarcasm on the witness stand, or, God forbid, a tattoo near your nethers. Emotions that lead to these kinds of actions are viewed as excessive and unhealthy by some. A good catharsis can sooth the wild beast in most of us and make our passions slightly more manageable. Wikipedia informs us that particular Freudian psychoanalysts would use catharsis to help patients experience "the deep emotions often associated with events in the individual's past which had originally been repressed or ignored, and had never been adequately addressed or experienced."Some have even gone so far as to say that catharsis is pleasurable, because the audience might experience an ecstatic relief ensuing from an awareness that, compared with what they have just seen portrayed, their own life is less tragic.

However, there should be a warning label on overly tragic stories. A person suffering from extreme emotional derangement might careen off into the outer space of excitability and never be normal again. This is the downside of tragedy, and one of the reasons many will not appreciate its artistic quality.

Another reason is plain, old aesthetics. Just like some prefer not to suffer the woes of the mighty roller coaster, others are physically wired not to enjoy the thrills of a finely woven catharsis. I believe this is part of the reason there was such a strong reaction to the Hunger Games. Rightfully so, the thought of children brutally murdering each other for sport did not sit right with people, no matter what the back story was.

Therefore the redeeming value of such a tragic event is lost, just like the redeeming value of conquering your fears at the end of a roller coaster are lost just by looking at that first drop from your car in the parking lot.

I'm not a fan of roller coasters, because they give me vertigo and and a keen sense of impending disaster. On the other hand, I am a fan of tragedies because I love the catharsis that ensues after a good story. I still cringe and wince, but I like cringing and wincing.


Wednesday, July 11, 2012

Here We Are Now, Entertain Us (Part 1)


A dichotomy has arisen in the last few decades among the moral majority, and as a result many among us have missed out on some of the greatest storytelling in generations. Nakedness, alcohol, drugs, swearing, sex, violence, wizardry and homosexuality are all frowned upon by the Christian elite. Keep it out of their movies and TV shows, off the streets and billboards, but for Christ's sake, leave it in the Bible. As defined by the Urban Dictionary the Bible is "an ancient novel full of murder, corruption, homosexuality, bestiality, incest and cruelty. It is often read to children on Sunday."

You wouldn't believe the lengths that the Christians have gone to in order to keep the very stuff they object to in Hollywood, right smack dab in the middle of the Bible. Scribe after scribe, council after council, crusade after crusade, martyr after martyr, philandering televangelist after philandering televangelist, all of these folks, seriously vigilant about making sure the story of King David's harems (2 Samuel 5:13) and Samuel's genocide (I Samuel 15) is told with gusto. Sordid affairs involving prostitution and incest (Genesis 19), detailed portrayals of violence involving a disemboweling (2 Samuel 20:9-10) and some beheadings (Matthew 14:3-12), and one amazing story of angels having sex with women to create a giant race of humans called Nephalim (Genesis 6:1-4). All of this and more is part of every Christian's heritage. Don't mess. Seriously, don't mess with the Bible, unless you want to go to hell. Haha. just kidding, sort of (Revelation 22:19).

Here in lies the dichotomy: Rejecting the function of immorality in storytelling, but accepting it within our spiritual heritage.

The Motion Picture Association of America (MPAA) puts a rating on almost every movie we watch in the theaters. Movie promoters live and die by these ratings, because one extra curse word could push a "PG-13" to an "R" and drop the expected revenue by 50%. By this logic, one could argue that Christians shot themselves in the foot when it came to marketing their famous book. If there were a movie made that encompassed ever story in the Bible, I'm confident that it would receive a worse rating than NC-17. They would have to make up a rating like 40-EGA-21 (Elderly Guidance for Adults: No admittance to anyone under 21 and those over 21 must be accompanied by someone over 40). The Bible may be God's Word, but try bringing the movie version to Sunday School. Eat that scroll, Enid Strict!

Who doesn't love a good story, whether its from the Bible or the theater or a good book. There are some mind-blowing stories out there in our world. Several come to our minds immediately, and everyone has a favorite, Treasure Island, The Conversion of Saul, Ben Hur, The Matrix, Star Trek: The Wrath of Khan. Most of those favorites include some realistic curse words, violence, or even some nudity.  I would argue that these are variables within each story that actually make it great.

Who appreciates the beauty of the outdoors more than the man in a solitary confinement? Who appreciates riches more than the man who grew up poor? Who appreciates life more than the man who almost died? Exactly. Sometimes you have to see hell to appreciate the beauty on the other side. Story-tellers take us through these hellish situations to help us appreciate the final outcome. The End. Denouement. Resolution. Catastrophe. I call it "The Payoff". That's when you know if the journey that the story took you on was worth it or not. Did it payoff well or not so well? Speaking of the Bible, again, it wouldn't be worth it's weight in shekels if it wasn't for the payoff at the end.

Do you think that people working on a movie with a superbly gory scene are bloodthirsty heathens? No. They are wholesome people with families and kids and Sunday school classes just like you and me, that are part of putting together a good story. Do you think the author who vividly describes a rape scene to his reader is a closet sexual deviant? No. He's telling a story, building up the emotion to bring it all home for a great read. Do you think the people who wrote those disturbing stories in the Bible were creepy lunatics? No. They were normal people for their day and age, putting together the greatest story ever told.

To him who has an ear let him hear, the morality portrayed in a story should not be relegated to a single line or even a single scene but the art as a whole, except, of course if it is blatantly obscene or pornographic.* So, don't give up on a story, based on a few bad words or some splattering blood. It might just be the Bible.


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*(Legal definition of obscene: an act, utterance, or item tending to corrupt the public morals by its indecency or lewdness.)

Tuesday, May 1, 2012

The Polar Bear's Rules for Movie Goers



1. Go online and find out if there is a "Secret Scene"
Once in a while, theater goers who dwell in their positions during the epic credit roll will be rewarded with a "Secret Scene". It's quite thrilling, like seeing a narwhal off the coast of Greenland. It can tie a movie together or blow your mind with a cliff-hanging promise of a sequel. This doesn't happen all the time, not even most of the time or some of the time, actually...hardly ever, but that one time you do get the chance you want to be there. You don't want to find out from Howard Johnson over in retail that you missed seeing the narwhal. The realization that you missed part of the movie will haunt you and you will never be satisfied. Movie ruined.

2. Get there early.
The early bird catches the proverbial worm and lands the best possible viewing angle, audio vortex, and power position. Every theater and or living room has a sweet spot. Find it. Put a stake in it. Claim your reward. Getting there late means you get to sit in the bottom left side of the auditorium, two feet from the fire exit, craning your neck, getting your ears drums blown to shreds, next to the guy who is constantly wiggling and throwing popcorn because he is 2-years-old. Movie Ruined.

3. Don't get popcorn.
It's tempting because it's so full of salty, buttery goodness, and it seems to fit so well with movie culture. Let's face it, you'll be finished with it by the time the previews are half over, and somewhere during the first scene you'll realize you have that infernal kernel that's stuck between the right incisor and your outer gum agitating you during the entire movie. You'll be finding it for an hour with your tongue, then letting your tongue lead your finger like the blind leading the blind until you start to taste blood. Movie Ruined.

4. Go to the bathroom before the opening scene.
It doesn't matter if you have to go or not, just do it. This might mean missing a couple previews, but that's okay. You can go home and watch them on YouTube because some 8-bit, pizza roll eatin', blog jammer posted it yesterday. Don't get stuck some where in the middle of the movie trying to figure out which is the least important 45.8 second section of the film. Make that, 57.9 seconds if it's number two. When you sit back down every one is sobbing and you realize it was the most important 57.9 seconds thus far in the entire. Movie Ruined.

5. Don't fast forward or turn away during the love scenes.
Key contextual elements might be missing from the end of the movie. You'll be asking yourself "Why is it so significant that everything in the movie is black and white except for that orange umbrella in the final scene." It's because you missed the sex scene. It's like your standing at a locked door and you don't have the key. The key is back in that love scene you wouldn't watch. Movie ruined!

Saturday, March 3, 2012

A Polar Bear Reviews Acts of Valor

Nothing could have been timed more perfectly. You're 2nd child, the game winning goal between U.S. and Spain, A comedians punchline, all have good timing, but none of them are going to net you 12 million dollars in one week. Acts of Valor started as a Navy Seal recruitment video for the Armed Forces and ended up as a motion picture alongside Tyler Perry's Good Deeds and Ghost Rider: Spirit of Vengence. It's number one in the box office and promises to reveal for the first time on film active duty Navy S.E.A.L.S. during combat training.   Real Navy S.E.A.L.S. do not make good actors, however, they do make for good marketing.  Thank you Osama Bin Ladin for making Navy S.E.A.L.S. the baddest Mama Jamas since the RAF of World War II. SEAL team six did for the Armed Forces what the knife did for sliced bread.
Do you realize what this film has done? It has helped propel a new genre of movies into the mainstream. Reality filmmaking is what it is being called. Controlled drama. Real .50 caliber bullets, actual Navy Seals, real world situations, it's a guaranteed success. Who wouldn't watch that?
I saw the movie opening weekend. After the movie ended the theatre was in utter silence for 2 or 3 minutes before anyone dared to move. The theater filled with awe. It was like Mount Rushmore, The Great Pyramids of Egypt, Stonehenge, The Great Wall of China and the Moon all suddenly decided to sing the Star Spangled Banner with Jesus himself and then enjoy a glimpse of the Aurora Borealis before surfing off the coast of Australia. This movie didn't just entertain, it inspired. It challenged the status quo and made the viewer realize what it meant to be free. It made us recognize the real cost of what it takes to be able to make a choice to go to a theatre and see a movie that we want to see. It doesn't just cost 10 dollars and whatever you pay your baby sitter. Someone died for you to be able to watch this movie. Someone with a family and kids, sacrificed his position as a father and a husband to give you the opportunity to choose between Tom Clancy or Dr. Suess. He knew you were never going to think about him when making that choice but he didn't care. He wanted you to have that choice.
Acts of Valor props itself above the white noise inundating action films these days.
Saving the world had almost become cliched until Acts of Valor made it heroic again.
Thank you to all the men and women who have sacrificed to make this country what it is today.
Go see Acts of Valor. Take your kids to see Acts of Valor. Be grateful for Acts of Valor.

Wednesday, January 18, 2012

Censorship, Pirates, and Dollar Bills.

Did you know it only costs the movie theater about $1 dollar to make a $4.50 bag of popcorn? Did you know that is the only way for theater's to make money now-a-days? Did you pay more than 10 dollars to go see a movie in the theatre recently? Did you know that same movie is probably available on your mobile device or your home computer for free? Did you know that the production studios making these movies are losing piles of money as a result of this situation?

The Love Guru, starring Mike Myers, was illegally uploaded onto a website then downloaded 85,000 times by the earthlings smart enough not to pay 10 dollars to watch it in the theater.
With my Blockbuster Rewards pass, I paid about $1.17 for the privilege of watching that movie, and I feel like I got my moneys worth. If I could have seen it for free I would have felt even better.

Hollywood is hurting and its not because people are pirating movies. Its because the movies they are making aren't worth the spit stuck on the bottom of a piece of gum clinging to the shoe of the one being pillaged at the box office. So people are finding other ways of getting their product at a price those products are worth. Pirating. I won't admit to pirating publicly, but I can name at least three websites off the top of my head that stream current movies earning top and bottom dollar at the box office.

Enter Netflix, Redbox, iTunes and a few other pioneers, the relatively unsung heroes of this battlefield. They are forging a path that others will soon join. It's genius. I pay approximately a dollar per movie and I'm happy with that. It balances out the good and the bad and I don't feel like I've been pilfered. They've had their share of difficulties, but they've found a need within the public and have filled it. What is that need? Valuing movies we watch within the comfort of our homes at what they are actually worth. About 1 dollar. And I think that valuation will only go down.

Hollywood hates it. Writers are striking, Actors are demanding, and the public is "pirating", So what do limping studio executives do to compensate for the poor quality of their product, they whine and complain to Congress. They want our government to make it so we can't watch crappy movies on the internet. The legislation is actually so vague, in fact, that if you had a website and published an unapproved 30 second clip of the movie you watched over the weekend you could be considered contributing to the piracy of a film and sent to jail for 5 years or fined 250,000 dollars. That's more than I'm willing to pay to watch The Love Guru. Coneheads maybe, but not The Love Guru.

Internet giants are standing up for you today regarding this bill and its arrival on the congressional floor. They claim it will give congress and movie studios the right to censor the internet. Google, Yahoo, Wikipedia, Craigslist, and many more have made a variety of changes to their websites to show their disapproval, and it's being called the SOPA blackout. Here! Here!
the Catholic Church in the middle ages, Nazi germany, China, Saudi Arabia, North Korea, Burma, Cuba, and my 7th grade English class all have one thing in common; they all contribute to censorship. Our freedom of speech is a treasure that we shouldn't take lightly.
Don't let the bullies in Los Angelos take it away from you because they can't make a decent movie. Stand up for your rights.
The Polar Bear says, "Take it easy, Hollywood. Be kind. Rewind."

Click Here if you want to learn more and notify your congressman of your displeasure.


Here's another link I've added for your review and as a reference:
http://opinion.latimes.com/opinionla/2010/02/movie-piracy-crime-and-punishment-in-one-lousy-upload.html